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Personnel:

Steve KALLAI:

Keith BAHJAT:

Jenn COURTNEY: Christopher FISHER: Maurice TANI:
Fiddle, Mandolin
Upright Bass
Vocals Drums
Vocals, Guitar
Grangeville, Idaho; Jimmy Rodgers, Bob Wills, Viktoria Mullova, silver tipped snake-skin earth shoes, Kathleen Turner Overdrive, Darren Newfield and the home fries Ponca City, OK; Bill Black, Eugene Craddock IV, Dill Scallion, duct tape & bailing wire, dblWiDE, The Royal Kings, successfully ate the 72 oz. steak at The Big Texan in Amarillo Oklahoma City; '64 T-bird, Janis Martin, trouble town, bad news, bad boys, bad checks, Prada, Prêt-à-porter designer trash, Dukes of Hazzard, Hillside Wranglers Huntsville, Alabama; Elvin Jones, Jimmy Cobb, power tools, power boats, power suits, Tom Armstrong. Calamity & Main, The Cotton Pickers San Francisco; fast cars, faster bikes, loud guitars, louder hand guns, Doña Diabla, Bakersfield, Roy Loney, Zasu Pitts Memorial Orchestra, Calamity & Main, Hillside Wranglers
THE NAME: “What's it mean? Everyone knows that El Deora is Spanish for 'The Deora', but ...what's it mean?"
We get this a lot. When you have a name like 77 El Deora, it comes with the territory. There's a lot of speculation.

Pure Speculation:

Line of designer women's fragrance and footwear worn by Nora Blaine.

Crime scene address of a dilapidated Palm Springs mansion.

Pilot for a '70s TV detective series.

An anagram of Oral Dee, LL., rockabilly preacher who predicted the deaths of both Patsy Cline and Marilyn Monroe.

Notorious Mexican erotic film actress from the '60s.

Tribute to Sergio Mendez.

Decommissioned Honduran naval vessel involved in an '80s CIA-crime scandal.

Sevens are upside-down "L"s...

The Party Line:
The El Deora was a custom, after-market variant of the Cadillac Eldorado in the '70s. It was the gaudiest, most over-the-top automobile you could buy. A company called ASC (originally American Sunroof Corporation) took the basic Eldorado, already a rather audacious, 2-door, land shark of a car, and made everything about it more extreme, -using styling cues from every other luxury car of the day. They added a chrome Rolls Royce radiator grill in front. A Lincoln Continental-style spare tire hump to the trunk. So much vinyl to the roof that it spread down on to the top ot the window sills. They extended the front and rear fenders of what was already one of the longest vehicles on the road. And the list goes on. If it was on a luxury car of the era, it was on the El Deora, but more so. They added opera windows, landeau bars, -not one but two of each! Shag carpet -on the ceiling!

It was a hidious, Frankenstein of a ride. At the time it occupied a niche halfway between the gold-chain retired white guy and a production pimp-mobile, but somewhere along the way it crossed over into cool. Examples found today are typically trashed, and it's that final layer of patina making them even more appealling to me. If I had a garage, I'd have one. If I had one, it would likely be pouring smoke out the rear, -or up on blocks in the yard with weeds growing out the fender wells. A car like that speaks to fallen aspirations, shattered dreams, bad checks. It's my kind of country.

-Maurice

Hillbilly Noir. Bashy. Original. Intelligent. California Country. Electric. Honky Tonk. Twangy. Oblique Americana.